New York Comics & Picture-Story Symposium: Featuring Joe McCulloch
Tuesday, February 6, 2018 at 7:00 pm
The Bark Room (Orientation Room), Room M104, Sheila C. Johnson Design Center 2 West 13th Street, New York, NY 10011
Joe McCulloch on Total Language: Steve Ditko at 90
Ask a person today who created Spider-Man, and they’ll probably tell you Marvel Comics, that inescapable entertainment brand. Some of them might say Stan Lee, the man whose profile is highest in mass media. Others, perhaps fewer, will know about Steve Ditko (b. 1927), a cartoonist of an unusual trajectory: his vision and craft gave concrete form to commercial characters still adored across the globe, half a century later, but his passion would soon pour into deeply personal, experimental, and furiously divisive works, comics emboldened by the freedoms of artist ownership, yet antagonistic toward the compromised values of society. Few agreed with the ideology espoused by these comics, but Ditko kept working, undeterred - through the rise and fall of the underground era, through the transition from newsstand racks to comic book stores, through the graphic novel boom and the advent of crowdfunding. He is still working now, here in New York City. Since 2007, Steve Ditko has published more than 800 pages of new comic book art, and they are among his most fascinating: comics where text and image work in a simultaneity of intent, a total language that invests the tautness of line and the hatching of shadow with thematic roles in the story, where the function of the black and white page is a statement of the artist’s worldview, by which there is only good and evil, and where the individual must ascertain the objective nature of the world, lest they reject their own lives. Come and see for yourself.
Presented by the School of Art, Media and Technology at Parsons School of Design.
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